Tampere
Dok on yhdeksän tamperelaisen valokuvataiteilijan näkemys Tampereen
murroksesta. Kaupunkimme kokee ennennäkemättömän kasvoleikkauksen. Osa
perinteisestä kaupungista katoaa uuden ja ultramodernin tieltä.
Ensimmäinen Tampere Dokin näyttely nähtiin toukokuussa 2019 Saksan
Chemnitzissä. Nykyajan näyttely on toinen ja uudistunut versio
monivuotisesta dokumenttiprojektistamme. Seuraavaksi projekti jatkuu
syksyllä Pyynikintorin työmaa-aidoissa, joihin tulee mennyttä ja tulevaa
yhdistäviä Tampere Dok -kuvia. Tuleeko Tampereesta Suomen seuraava
metropoli? Uusi raitiotie Hervannasta Pyynikintorille tunkeutuu läpi
kaupunginosien ja keskustan kuin sykkivä verisuoni.
Liikkennejärjestelyjen lisäksi Tampereelle nousee uusia kaupunginosia ja
kansihankkeen jälkeen kaupungin ydinkeskustassa – downtownissa –
siintelee mahtipontiset pilvenpiirtäjät ja Hakametsän jäähallin korvaava
monitoimiareena. Valokuvaajina visioimme kukin omasta näkökulmastamme kaupungin muutosprosessia, jonka deadline on pitkällä tulevaisuudessa.
Susanna Myllylä: Dark City
I wander around the city during the dark hours, observing its dim lights from the shadows, where I feel safe. This photography series has been inspired by a sci-fi noir movie Dark City by Alex Proyas. In the film, while the residents sleep at night, mystical aliens reorganize the city physically, which in turn, changes people’s identities and memories. Tampere currently lives in a liminal state; in a process towards an imagined metropolis. Old place-based meanings are gradually vanishing under the rapid makeover process. Is there space for organic urban development by citizens? What kind of city identity is generated, has yet to be seen.
I keep on walking.
Photography exhibition "Rabbit Hole", Gallery Nykyaika, Tampere, August 2018 and Valkeakoski city library March 2019. (See also my LensCulture page: https://www.lensculture.com/susanna-myllyla)
Altered Landscape I
Rabbit
Hole -photography project examines how an ordinary Pirkanmaa (Southern Finland) citizen
involuntarily becomes an environmental activist, defending his/her civil
rights and cultural environment. When familiar forests are logged and
turned into a gold drilling area, local roads are turned to busy truck
routes, and rivers and agricultural fields become dumping grounds for
industrial wastewater—what is to be done? Currently a regional
administrative transition is taking place in which the responsibility
for environmental protection is being shifted onto citizens. At an
individual level, this triggers an expanding and never-ending process in
which the citizen encounters a Kafkaesque environmental administration
and a multinational corporation’s tactics. In an environmental conflict
situation, diverse narratives compete against each other, and the facts
depend on the specific context in which they emerge. In the activist’s
widening perception, local experiences are gradually linked with
national and global problems, encompassing a universal environmental
concern.
Microplastics have been accumulating to our lakes during the last 60-100 years. It is now time to halt this silent micropollution by strengthening water protection measures that overlap diverse societal and administrative sectors.
Fall 2017: Several global news highlight that the microplastics have invaded to our drinking water and even to the sea salt. In the Cycladic islands all kinds of plastics are fragmented into tiny pieces due to sun. Waterfronts that are not used as tourist beaches, contain a lot of plastic materials and other rubbish.
Participating to CONTEMPHOTO'15 - II. International Visual Culture and Contemporary Photography Conference on Urban Identities, organized by the Eastern Mediterranean Academic Research Center (DAKAM), Istanbul - My photography presentation was about Youth, livelihoods and spaces in the kebele settlements of Addis Ababa.